Previously, it is not obvious to what extent was accepted for the assessors when we see the 3D image (including multi-view 3D) which the luminance change may affect the stereoscopic effect and assessment generally. We think that we can conduct a general evaluation, along with a subjective evaluation, of the luminance component using both the S-CIELAB color space and CIEDE2000. In this study, first, we performed three types of subjective evaluation experiments for contrast enhancement in an image by using the eight viewpoints parallax barrier method. Next, we analyzed the results statistically by using a support vector machine (SVM). Further, we objectively evaluated the luminance value measurement by using CIEDE2000 in the S-CIELAB color space. Then, we checked whether the objective evaluation value was related to the subjective evaluation value. From results, we were able to see the characteristic relationship between subjective assessment and objective assessment.

A specification for digital cinema systems which deal with movies digitally from production to delivery as well as projection on the screens is recommended by DCI (Digital Cinema Initiative), and the systems based on this specification have already been developed and installed in theaters. The parameters of the systems that play an important role in determining image quality include image resolution, quantization bit depth, color space, gamma characteristics, and data compression methods. This paper comparatively discusses a relation between required bit depth and gamma quantization using both of a human visual system for grayscale images and two color difference models for color images. The required bit depth obtained from a contrast sensitivity function against grayscale images monotonically decreases as the gamma value increases, while it has a minimum value when the gamma is 2.9 to 3.0 from both of the CIE 1976 L* a* b* and CIEDE2000 color difference models. It is also shown that the bit depth derived from the contrast sensitivity function is one bit greater than that derived from the color difference models at the gamma value of 2.6. Moreover, a comparison between the color differences computed with the CIE 1976 L* a* b* and CIEDE2000 leads to a same result from the view point of the required bit depth for digital cinema systems.